![]() Three step audio extraction for some quick creative deconstruction. The third edition provides a convergence of utility, usability, and performance factors that has been highly anticipated by current users and that will prove to be a game-changing experience for the newly initiated. Up to eight channels of surround sound support.Ī summary overview of the SpectraLayers Pro 3 feature set reflects the emergence of an audio-editing application that has truly arrived. Including touch, trackpad, pen, Retina/high-DPI displays, and automatic detection when used with convertible laptops. Set your work paths, logging, and history/recovery options here.Ĭreate your keyboard command profile here more than 100 commands are available for customization. Select your audio device, route your hardware I/O, set your buffer size, and map input and output channels to conform to a wide variety of surround-sound scenarios a smart remapping feature is available to automatically make assignments.Ĭustomize your color scheme and choose your default scales here. The new Preferences panel makes SpectraLayers Pro 3 configuration and personalization easy. The new logic and comprehensive CPU support translates into pure speed and silky smooth program response. Use the cursor to scrub audio in both directions.Įngine performance is upgraded yet again for SpectraLayers Pro 3. The new SpectraLayers Pro 3 color scheme makes the 3D Displacement feature even more useful, as every layer can now be assigned its own unique color on the spectral graph. The Displacement Pad is always active and available, which means that you can access 3D visualizations without losing focus on your editing tools. Simply grab the control and slide it over the crosshairs to get the view you want, and double-click to return to the standard view. SpectraLayers Pro 3 features a new way to access 3D Displace Mode: the Displacement Pad, a joystick-like control that provides instant access to the rich, detailed world of multidimensional audio spectrum data. In 3D Displace Mode, editors can explore the amplitude envelopes of any sound in isolation, and the relative amplitude power relationships that exist in projects with multiple audio channels or tracks. The 3D Displace feature in SpectraLayers Pro 3 provides spectacular, intricate visualizations of spectral audio data. Above the timeline and always visible, the Overview Bar provides graphic, color-coded information about a wide variety of project status attributes including selection range, layer phase status, and more. Important attributes of your spectral editing scenario are clearly shown here in waveform context, including cursor position, the current selection, color-coded project layer content, and all relative amplitudes. SpectraLayers Pro 3 has a new Waveform Display that updates instantly while you work. The Selection Tools panel has been significantly upgraded to provide more power and versatility than ever for carving precise, tailor-made selections out of the spectral graph. The Layers, Channels, and History panels can now be anchored in the SpectraLayers Pro 3 workspace, or they can float over the workspace or on a secondary monitor. Layers can now be dragged into any order you like. Colors can be changed instantly at any time. In SpectraLayers Pro 3, every layer's spectral graph is tagged with its own unique color. While the revised Selection Tools bring a new level of control to the editing process, the Layers Panel improves on keeping things organized, visible, and relevant. ![]() The redesigned Layers Panel in SpectraLayers Pro 3 reflects the extent to which this application has been upgraded to provide significantly improved editing and workflow options. The new features rundown provides a multitude of discussion points, but the way they all work together will leave you speechless. SpectraLayers Pro 3 uses the core concepts of its predecessor as the foundation for a reimagined experience in audio spectrum editing. Upgrade to SpectraLayers Pro 3 from SpectraLayers Pro
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Non avere fretta e sfrutta i bug del gioco e la IA che ogni tanto fa gli affari propri. le magie dei maghi dell'acqua sono inutili. tutto il resto è inutile (anche se alcune sei obbligato ad impararle per ovvie necessità come la freccia di fuoco o per utilità come la palla di fuoco). ovviamente usa i comandi stile gothic 1.Ĭome mago impara l'esercito di scheletri e pioggia di fuoco. con i tempi giusti la fai all'infinito e il nemico non ha tempo di attaccare. è impossibile rimanere bloccatiĬhe tu faccia il mago o che faccia il guerriero sviluppa sempre al massimo le armi ad una mano e la balestra.Ĭon la spada ad una mano sfrutta la combinazione sinistra-destra-sinistra-destra. Non c'è proprio paragone tra quelli e quello di Trucchi o .Į poi fidati,non ne ha bisogno. P.S.: Vi ho nominato quei tre siti perché ovviamente mi consiglierete, o almeno spero, un walkthrough in inglese. Perciò vi chiedo: tra la miriade e stra-miriade di soluzioni esistenti per questo capolavoro ( IGN, GameFAQs, The Spoiler Centre e così via) quale mi consigliate? Quello fatto meglio, più dettagliato. Un'esperienza a 360°, insomma.Īnche perché giocare la prima volta con la guida a portata di mano rovinerebbe la trama. Cose che magari la prima volta non fai perché. completa, stavo cercando un ottimo, se non perfetto walkthrough, così da scoprire e fare anche le cose più nascoste. Siccome stavolta vorrei un'esperienza di gioco. Inoltre non me lo sono mai goduto abbastanza, vedo che ora ci sono anche un bel po' di Mod in giro. ![]() è che leggere le descrizioni delle varie città di cui si parla nel libro mi riporta automaticamente ai miei girovagare per le strade di Khorinis. Vi chiederete: perché proprio Gothic II? Ce ne sono tanti di RPG ambientati in quell'epoca!Ī dir la verità non so nemmeno io precisamente perché. 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I dont use the Xboard as a control surface - I prefer the mouse for some reason. Regarding the EZDDim LE problem - sounds like you just need to switch synths on the output Im guessing. ![]() ![]() Proteus works fine in standalone for me, but in Sonar it causes problems, so I stopped using it. I use DimPro, which is a great synth - it sounds better than Proteus, and it works better in Sonar. It played back well but then I could never get the Xboard to go back to playing the Dimension LE.Īre you using the Xboard 61 as a control surface in Cakewalk (volume, pan, etc) That is my next goal for the Xboard 49. I think I am coming to agree that the Proteus might be too buggy to use. If its not there yet, you will need to do a VST scan to the folder where the Xboard and Proteus programs are located. In Cakewalk, it should work right away if you select All Inputs - Midi Omni for the input on a midi track, and select a synth for the output.Īlso, under Options - Midi Devices, you should be able to select the Xboard, since Cakewalk recognizes it. I am trying to use a Studio Grand Piano plug in that came with the unit. I got a cakewalk MIDI tune to play back using the Alpha and TTS-1 synth (Dumb me did not have the Monitor Mix knob turned up on the Alpha) But I have yet to get a sound out of the Xboard. I do have the Lexicon Alpha set for audio output and recording input and I have the Xboard set for MIDI playback (only other choice was GS WaveTable). Thanks for your help (I need to edit my signature the M-Audio Fireaire was buggy and quit working so I bought the Lexicon Alpha). I am set up (I thought) for the keyboard to control the softsynth, the softsynth to convert to audio (no need for Microsoft Wavetable), the audio to go through the USB to the Lexicon alpha and then out to the powered monitors.Īny ideas what I am doing wrong Do I have to use the Soundmax soundcard Is there any way to test the Xboard using CWHS 6 XL I loaded the Proteus VST into my Cakewalk VST folder and of course I have deminsion LE. The Xboard 49 is ultra-portable and can run on USB, battery, or AC power.Heres the problem, for example, I can load the Grand Piano softsynth play the keyboard and get absolutely no sound. The Xboards also allow you to set discrete MIDI channels for each controller and offer unrivaled real-time control and performance features, including Snap Shot that lets you send multiple program changes and controller values by pressing a single button, and Xboard Latch Mode that enables you to define a section of the keyboard as on/off triggers - perfect for drum loops. The Xboard Control software provides an intuitive desktop interface that lets you effortlessly create custom templates for all of your favorite hardware and software instruments. The Xboard™ 49 features fullsize velocity sensitive keys with aftertouch, 16 programmable real-time controllers, Xboard Control editing software and a full version of E-MU's acclaimed Proteus X2 Streaming Sound Module with over 3GB of sounds. He E-MU Xboard 49 Professional USB MIDI controller for PC and Mac offers unmatched playability, real-time control and programmability in a portable keyboard package ideal for studio and stage use. |